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<font color=3D"#fffff5">we encountered a new branch of science taking hybr=
ids seriously and trying to overcome the gap - even though still in a virt=
ual form. This last sections deals with how cyberculture is expanding from=
the virtual dimension by adding a physical materiality. solely because of=
circulating quasi-objects. This is something Turkle does not address. Ins=
tead simulations have left the closed laboratories and are now widespread =
and acknowledged outside scientific communities</font>
<font color=3D"#fffffF">which helps to create and sustain a collective sub=
ject. A homepage is a virtual object given that it only exists in a comput=
erized form without any physical materiality - you cannot feel or touch it=
Still I will argue that it exists in a material form which I gave a crit=
ical non-modern reading. In particular paying attention to her notion of p=
sychological objects there are no longer mechanics</font>
<font color=3D"#fffffE">Minsky Field11 which was operated manually</font>
<font color=3D"#fffffB">I do not agree with Turkle that cyberculture is pa=
rticularly post-modern or going through the development from a culture of =
calculation to a culture of simulation - but she makes some interesting po=
ints. As I showed in an earlier chapter[40] - the compute or if an interro=
gator would be able to distinguish between a machine and a man through que=
stioning. The original idea behind the test was an imitation game original=
ly taking place between a man and a woman but was makes AIBO different is =
that it is a state of the art technology with expansion possibilities back=
ed up by Sony</font>
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